Fighters have practiced pencak silat for thousands of years, but it didn’t capture the attention of Western martial artists until the late 1980s. Suddenly, the Indonesian system was everywhere, with its vicious counterattacks and precision takedowns attracting self-defense practitioners who wanted the best in street-fighting functionality. As a bonus, it offered a fascinating dose of Southeast Asian culture.
I had the good fortune of starting my silat training under Dan Inosanto in the early 1980s before it became popular. Several years later, Herman Suwanda, master of the mande muda style, started a class at the Inosanto Academy, which I naturally attended. Inosanto later got me into the backyard bukti negara group operated by Paul de Thouars. With those wonderful teachers guiding me along the path, I was in silat heaven.
Silat worked very well for me. As one of the original Dog Brothers — I was dubbed “Lucky Dog” — I used the art in the group’s all-out, minimal-protection stick fights. In our style of combat, which was deemed “too extreme” by UFC co-founder Art Davie, I was able to regularly apply foot sweeps and my go-to move, the tarik kepala, or head-tilt takedown. The latter technique proved so effective, in fact, that after some time, a couple of my fellow Dog Brothers asked me to stop using it because they feared someone would get injured.
I used silat in stick-fighting tournaments, in a challenge stick match in the Philippines and in two empty-hand challenge matches. When people questioned the effectiveness of the style, my teachers would point to my success as proof that it really worked. All was well in the world of silat. Then came MMA.
Back in the mid-1990s, MMA was called no-holds-barred fighting. I began training with some of the NHB pioneers — in particular, with Egan and Enson Inoue. The experience proved an eye-opener, to say the least. I couldn’t get my silat to work against athletes who had a strong grappling background. Sure, I wasn’t kicking them in the groin or gouging their eyes, but I had to acknowledge that most of my techniques didn’t function as planned.
Slap and Strike technique from Richardson’s new online silat course.
Example: I couldn’t break my opponent’s posture sufficiently to execute a good sweep or takedown. It was frustrating because I knew firsthand how effective silat takedowns could be. I’d used them against resisting opponents many times, but MMA was a different world. The grappler’s base was just too stable, and I couldn’t do the head tilt because my opponent’s neck was often too strong. To make matters worse, I found that my stance was vulnerable to wrestling takedowns.
Burton Richardson teamed up with Black Belt mag to make Silat for the Street, a new online course that teaches the best fighting moves of the Southeast Asian art. Click here to learn how you can start streaming it to your smartphone, tablet or computer now!
After months of trial and error — mostly error — I decided to set aside my silat skills. It was a sad and difficult decision, to be sure. I enjoyed being known as a silat fighter, but the truth had to come first. My goal in life was, and still is, to be the most effective martial artist possible and then to pass along my knowledge of functional skill development to my students. Silat wasn’t working, so I had to move on.
I began investing the majority of my energy in MMA and Brazilian jiu-jitsu while still maintaining my roots in kali, jeet kune do and muay Thai. The No. 1 lesson I learned during this period was that a person’s training method is paramount. You must contest against a resisting opponent or you’ll never be able to apply your techniques against a real aggressor.
This proved so important that I coined a phrase: “If you want to learn how to fight, you must practice fighting against someone who is fighting back.” The martial arts are that simple. As John Machado, one of my BJJ instructors, says, “No sparring, no miracles.”
Head Twist technique from Richardson’s new online silat course.
Ten years later, I was the owner of a BJJ black belt who had coached top fighters for matches in the UFC and various grappling events, but something was missing. Although I’d immersed myself in the fight sports for a decade, it dawned on me that I was neglecting the street-fighting facet of the martial arts. Yes, MMA definitely worked, but when there are no rules governing the combatants, you often need something more.
My remedy was to put groin strikes, throat grabs and simulated eye attacks back into my sparring sessions. My partners and I trained with resistance — of course, while keeping safety at the forefront of our workouts. And things changed again.
While sparring with a longtime training partner, I made a move in the clinch. He countered, and I countered back before flowing into a silat technique. Hmm.
A few days later, I found myself in the clinch again. He effected a counter to my arm-drag attempt, and that left him open to a cross-arm trap. Another silat success! An hour before it occurred, I would have told anyone that the cross-arm trap is great for movies but nearly impossible to use against a real fighter — but I had just pulled it off. In subsequent sparring sessions, I got it again with other training partners. What was happening?
Go here to read “Silat: Indonesia and Malaysia’s Deadly Martial Art” on the Black Belt website!
Analysis: Most silat techniques work well in the clinch. Typically, a practitioner makes a strong entry with a strike and, once his opponent is stunned, moves directly to a takedown. If the strike doesn’t have the desired effect, the silat stylist will remain in the clinch and likely resort to additional striking. Meanwhile, the opponent is striking, as well. If the silat stylist has good clinch-fighting skills, however, he can nullify the strikes while looking for an opportunity to unleash his next blow or set up a throw. The key to all this? Proficiency in the clinch.
To get to the clinch when your opponent is a street fighter who’s throwing wild punches is one thing. To do so safely when your opponent is an MMA fighter is quite another. You need kickboxing skills because a trained mixed martial artist is difficult to approach unless you possess solid strikes and tactics.
Because MMA practitioners also are likely to be skilled wrestlers, anyone who intends to use silat as a base should work on takedown defense. It requires lots of experience to deal with the power, suddenness and penetration of a strong wrestler — which is where sparring with a resisting partner comes in.
If your aim is to use a silat off-balancing technique in the clinch, you can increase your chance of success by using any number of street tactics. For instance, you can maneuver into position to grab his throat, then lift to make him rise onto his toes. Or you can slap him in the groin to cause him to bend forward — he usually will, even if he’s wearing protection. The best part is, such tactics can be practiced safely in sparring sessions, which is the optimal way to gain experience against an opponent who’s fighting back.
Sparring has been removed from most of the silat that’s taught in the West because it was deemed too dangerous for modern society. But MMA is flourishing, and martial artists now have access to protective equipment that enables them to spar safely. Each of my silat instructors engaged in real fights while learning the art in Indonesia, and that experience gave them the ability to apply their knowledge against resisting opponents intent on doing them harm. If you want to be able to use an art like silat in a chaotic situation, you must train in an environment that mimics the street as much as possible, and that’s no-holds-barred fighting.
Yes, learning the techniques and then practicing them with precision is important, but training with resistance is even more crucial if your goal is self-defense proficiency. It’s the single best way to make silat — or any other traditional martial art — functional in the MMA era. You need to be able to ensure that your techniques work against a mixed martial artist because nowadays there are lots of people, both good and bad, who have experience in this form of fighting.
Burton Richardson was Black Belt’s 2015 Self-Defense Instructor of the Year. Click this link for more information about his online course Silat for the Street, in which he teaches techniques from the Indonesian martial art that he’s deemed effective for modern combat.
Source: Black Belt Magazine